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Deleuze's Cinema books : three introductions to the taxonomy of images / David Deamer.

By: Material type: TextTextPublisher: Edinburgh : Edinburgh University Press, [2016]Copyright date: �2016Description: 1 online resource (xxxv, 360 pages) : illustrationsContent type:
  • text
Media type:
  • computer
Carrier type:
  • online resource
ISBN:
  • 9781474407694
  • 1474407692
Subject(s): Genre/Form: Additional physical formats: Print version:: Deleuze's Cinema books.DDC classification:
  • 791.4301 23
LOC classification:
  • PN1995 .D43 2016eb
Other classification:
  • 08.25
  • 08.25.
Online resources:
Contents:
pt. ONE. UNFOLDING THE CINEOSIS. Section I. First Introduction : Two Regimes of Images -- Section II. Second Introduction : A Series of Images and Signs -- pt. TWO. ENFOLDING THE CINEOSIS -- Section III. Third Introduction : Cinematographics (1995-2015).
Summary: Deleuz�e's two Cinema books explore film through the creation of a series of philosophical concepts. Not only bewildering in number, Deleuz�e's writing procedures mean his exegesis is both complex and elusive. Three questions emerge: What are the underlying principles of the taxonomy? How many concepts are there, and what do they describe? How might each be used in engaging with a film? David Deamer's book is the first to fully respond to these three questions, unearthing the philosophies inspiring Deleuz�e's classifications, exploring every concept and reading a film for each. Clearly and concisely mapping the Cinema books for newcomers to Deleuzian film studies, Deamer also opens up new areas of enquiry for expert readers.
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Includes bibliographical references (pages 345-349), filmography (pages 350-352) and index.

Deleuz�e's two Cinema books explore film through the creation of a series of philosophical concepts. Not only bewildering in number, Deleuz�e's writing procedures mean his exegesis is both complex and elusive. Three questions emerge: What are the underlying principles of the taxonomy? How many concepts are there, and what do they describe? How might each be used in engaging with a film? David Deamer's book is the first to fully respond to these three questions, unearthing the philosophies inspiring Deleuz�e's classifications, exploring every concept and reading a film for each. Clearly and concisely mapping the Cinema books for newcomers to Deleuzian film studies, Deamer also opens up new areas of enquiry for expert readers.

pt. ONE. UNFOLDING THE CINEOSIS. Section I. First Introduction : Two Regimes of Images -- Section II. Second Introduction : A Series of Images and Signs -- pt. TWO. ENFOLDING THE CINEOSIS -- Section III. Third Introduction : Cinematographics (1995-2015).

Print version record.

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