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Narrative and becoming / Ridvan Askin.

By: Material type: TextTextSeries: PlateausPublisher: Edinburgh : Edinburgh University Press, [2016]Copyright date: �2016Description: 1 online resource (viii, 213 pages)Content type:
  • text
Media type:
  • computer
Carrier type:
  • online resource
ISBN:
  • 9781474414579
  • 1474414575
Subject(s): Genre/Form: Additional physical formats: Print version:: No titleDDC classification:
  • 813/.00923 23
LOC classification:
  • PN212 .A78 2016eb
Online resources:
Contents:
Introduction ; differential narratology -- Intensive narration : Ana Castillo's The Mixquiahuala Letters -- Narrating sensation : Michael Ondaatje's The Collected Works of Billy the Kid -- Sensational realism : Colson Whitehead's The Intuitionist -- Real folds : Mark Z. Danielewski's House of Leaves -- Conclusion : from the becoming of narrative to the narrativity of becoming.
Summary: What is narrative? Ridvan Askin brings together aesthetics, contemporary North American fiction, Gilles Deleuze, narrative theory and the recent speculative turn to answer this question. Through this process, he develops a transcendental empiricist concept of narrative. Askin argues against the established consensus of narrative theory for an understanding of narrative as fundamentally nonhuman, unconscious and expressive.
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Includes bibliographical references (pages 190-203) and index.

Introduction ; differential narratology -- Intensive narration : Ana Castillo's The Mixquiahuala Letters -- Narrating sensation : Michael Ondaatje's The Collected Works of Billy the Kid -- Sensational realism : Colson Whitehead's The Intuitionist -- Real folds : Mark Z. Danielewski's House of Leaves -- Conclusion : from the becoming of narrative to the narrativity of becoming.

What is narrative? Ridvan Askin brings together aesthetics, contemporary North American fiction, Gilles Deleuze, narrative theory and the recent speculative turn to answer this question. Through this process, he develops a transcendental empiricist concept of narrative. Askin argues against the established consensus of narrative theory for an understanding of narrative as fundamentally nonhuman, unconscious and expressive.

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