Image from Coce

Satan unbound : the Devil in Old English narrative literature / Peter Dendle.

By: Material type: TextTextPublication details: Toronto, Ont. : University of Toronto Press, �2001.Description: 1 online resource (xii, 196 pages, [8] pages of plates) : illustrationsContent type:
  • text
Media type:
  • computer
Carrier type:
  • online resource
ISBN:
  • 9781442679580
  • 1442679581
  • 1282033778
  • 9781282033771
Subject(s): Genre/Form: Additional physical formats: Print version:: Satan unbound.DDC classification:
  • 820/.93823547/09021
LOC classification:
  • PR173 .D45 2001eb
Online resources:
Contents:
The Evolution of the Anglo-Saxon Devil -- Literature and Cultural Archaeology -- The Devil as Tempter -- Demonic Instigation in Patristic Theology -- Demonic Instigation in Narrative Literature -- The Vercelli Book and the Devil's Arrows -- AElfric -- The Role of the Devil -- The Range of Narrative Functions -- The Life of Nicholas: The Accidental Devil -- The Lives of Margaret: The Devil as Saint-Maker -- The Devil as Observer -- Exterior Evil and the Landscape of Old English Narrative -- The Devil in Hell -- The Devil of the Air -- The Liturgical Devil -- The Devil of the Homilies -- Space and Poetry -- Mise-en Scene in Elene and Andreas -- The Devil and the Demons -- Bede's Ecclesiastical History -- Cynewulf -- The Guthlac Cycle -- Dialogue and Demonology: Defining the Opponent -- Open Registers of Demonic Representation -- The Devil as Idiom.
Review: "The devil is perhaps the single most recurring character in Old English narrative literature, and yet his function in the highly symbolic narrative world of hagiography has never been systematically studied. Certain inconsistencies characteristically accompany the nebulous devil in early medieval narrative accounts - he is simultaneously bound in hell and yet roaming the earth; he is here identified as the chief of demons, and there taken as a collective term for the totality of demons; he is at one point a medical parasite and at another a psychological principle." "Satan Unbound argues that these open-ended registers in the conceptualisation of the devil allowed Anglo-Saxon writes a certain latitude for creative mythography, even within the orthodox tradition. The narrative tensions resulting from the devil's protean character opaquely reflect deep-rooted anxieties in the early medieval understanding of the territorial distribution of the moral cosmos, the contested spiritual provinces of the demonic and the divine. The ubiquitous conflict between saint and demon constitutes an ontological study of the boundaries between the holy and the unholy, rather than a psychological study of temptation and sin."--Jacket.
Tags from this library: No tags from this library for this title. Log in to add tags.
Star ratings
    Average rating: 0.0 (0 votes)
No physical items for this record

Includes bibliographical references and index.

The Evolution of the Anglo-Saxon Devil -- Literature and Cultural Archaeology -- The Devil as Tempter -- Demonic Instigation in Patristic Theology -- Demonic Instigation in Narrative Literature -- The Vercelli Book and the Devil's Arrows -- AElfric -- The Role of the Devil -- The Range of Narrative Functions -- The Life of Nicholas: The Accidental Devil -- The Lives of Margaret: The Devil as Saint-Maker -- The Devil as Observer -- Exterior Evil and the Landscape of Old English Narrative -- The Devil in Hell -- The Devil of the Air -- The Liturgical Devil -- The Devil of the Homilies -- Space and Poetry -- Mise-en Scene in Elene and Andreas -- The Devil and the Demons -- Bede's Ecclesiastical History -- Cynewulf -- The Guthlac Cycle -- Dialogue and Demonology: Defining the Opponent -- Open Registers of Demonic Representation -- The Devil as Idiom.

"The devil is perhaps the single most recurring character in Old English narrative literature, and yet his function in the highly symbolic narrative world of hagiography has never been systematically studied. Certain inconsistencies characteristically accompany the nebulous devil in early medieval narrative accounts - he is simultaneously bound in hell and yet roaming the earth; he is here identified as the chief of demons, and there taken as a collective term for the totality of demons; he is at one point a medical parasite and at another a psychological principle." "Satan Unbound argues that these open-ended registers in the conceptualisation of the devil allowed Anglo-Saxon writes a certain latitude for creative mythography, even within the orthodox tradition. The narrative tensions resulting from the devil's protean character opaquely reflect deep-rooted anxieties in the early medieval understanding of the territorial distribution of the moral cosmos, the contested spiritual provinces of the demonic and the divine. The ubiquitous conflict between saint and demon constitutes an ontological study of the boundaries between the holy and the unholy, rather than a psychological study of temptation and sin."--Jacket.

Print version record.

JSTOR Books at JSTOR Demand Driven Acquisitions

There are no comments on this title.

to post a comment.

Hours

Mon - Fri: 8.30am - 4.30pm

Weekends and statutory holidays: CLOSED

3 Arden St, Opoho 9010, Dunedin, New Zealand.

03-473 0771 hewitson@prcknox.org.nz

Designed by Catalyst

Powered by Koha