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Caspar David Friedrich and the subject of landscape / Joseph Leo Koerner.

By: Material type: TextTextPublication details: London : Reaktion Books, 2009.Edition: 2nd edDescription: 1 online resource (327 pages) : illustrations (some color)Content type:
  • text
Media type:
  • computer
Carrier type:
  • online resource
ISBN:
  • 9781861897503
  • 1861897502
Subject(s): Additional physical formats: Print version:: Caspar David Friedrich and the subject of landscape.DDC classification:
  • 759.3 22
LOC classification:
  • ND588.F75 K64 2009eb
Online resources:
Contents:
From the Dresden Heath -- Subject of Landscape -- Romanticism -- Non-Contemporaneity of the Contemporary -- Sentimentalism -- Friedrich's System -- Symbol and Allegory -- End of Iconography -- Entering the Wood -- 10. Theomimesis -- Reflection -- Deja vu.
Summary: Caspar David Friedrich (1774-1840) is heralded as the greatest painter of the Romantic movement in Germany, and Europe's first truly modern artist. His mysterious and melancholy landscapes, often peopled with lonely wanderers, are experiments in a radical.
List(s) this item appears in: E-book Holdings for "Christian Theology and the Arts," Uni of Otago: PAST322/MINS414
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Holdings
Item type Current library Collection Call number Status Notes Date due Barcode
Book: Standard Hewitson Library, Presbyterian Research Centre Chrysalis Seed Collection Available Electronic book

Includes bibliographical references and index.

From the Dresden Heath -- Subject of Landscape -- Romanticism -- Non-Contemporaneity of the Contemporary -- Sentimentalism -- Friedrich's System -- Symbol and Allegory -- End of Iconography -- Entering the Wood -- 10. Theomimesis -- Reflection -- Deja vu.

Caspar David Friedrich (1774-1840) is heralded as the greatest painter of the Romantic movement in Germany, and Europe's first truly modern artist. His mysterious and melancholy landscapes, often peopled with lonely wanderers, are experiments in a radical.

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