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Medieval crossover : reading the secular against the sacred / Barbara Newman.

By: Material type: TextTextSeries: Conway lectures in medieval studiesPublication details: Notre Dame, Ind. : University of Notre Dame Press, �2013.Description: 1 online resource (xvi, 399 pages) : illustrationsContent type:
  • text
Media type:
  • computer
Carrier type:
  • online resource
ISBN:
  • 0268161399
  • 9780268161392
Subject(s): Genre/Form: Additional physical formats: Print version:: No titleDDC classification:
  • 809/.02 23
LOC classification:
  • PN671 .N49 2013eb
Online resources:
Contents:
Cover; MEDIEVAL CROSSOVER; Title; Copyright; CONTENTS; Preface ; List of Illustrations ; Chapter 1 Theorizing Crossover: Principles and Case Studies ; A Hermeneutics of Both/And ; Felix Culpa and the Principle of Double Judgment ; Pagan Matiere, Christian Sen, and Secular Conjointure.
Hagiographic Romance: "Everything That Rises Must Converge" Chapter 2 Double Coding: Knights of Arthur, Knights of Christ ; Chr�etien's Charrette: Double Coding, Double Judgment ; Perlesvaus: The Grail and Christendom's "Old Laws" ; Lancelot and the Grail: Chr�etien's Ambiguous Legacy.
Le Morte Darthur: Double Coding, Double Ending Chapter 3 Conversion: The Literary Traditions of Marguerite Porete ; The Puys of Picardy and the Valenciennes Prize Poems ; Beguine Lyrics, Recycled Songs, and the Mirror ; Roses, Crimson and White ; The Mirror and the Rose.
From 1277 to 1312, or the Perils of Crossover Chapter 4 Parody: From Profane Communion to Blasphemous Passion ; Parodia Sacra and the Principle of the Two-Edged Sword ; Obscene Communion: Le lai d'Ignaure ; Mocking Mass Murder: The Passion of the Jews of Prague.
A Lawsuit in Heaven: The Dispute between God and His Mother Chapter 5 Convergence: Ren�e of Anjou and the Heart's Two Quests ; Mortifying Vain Pleasure: The King as Vernacular Theologian ; The Grail, the Rose, and the Love-Smitten Heart ; Converging Quests.
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Includes bibliographical references (pages 348-381) and index.

Print version record.

Cover; MEDIEVAL CROSSOVER; Title; Copyright; CONTENTS; Preface ; List of Illustrations ; Chapter 1 Theorizing Crossover: Principles and Case Studies ; A Hermeneutics of Both/And ; Felix Culpa and the Principle of Double Judgment ; Pagan Matiere, Christian Sen, and Secular Conjointure.

Hagiographic Romance: "Everything That Rises Must Converge" Chapter 2 Double Coding: Knights of Arthur, Knights of Christ ; Chr�etien's Charrette: Double Coding, Double Judgment ; Perlesvaus: The Grail and Christendom's "Old Laws" ; Lancelot and the Grail: Chr�etien's Ambiguous Legacy.

Le Morte Darthur: Double Coding, Double Ending Chapter 3 Conversion: The Literary Traditions of Marguerite Porete ; The Puys of Picardy and the Valenciennes Prize Poems ; Beguine Lyrics, Recycled Songs, and the Mirror ; Roses, Crimson and White ; The Mirror and the Rose.

From 1277 to 1312, or the Perils of Crossover Chapter 4 Parody: From Profane Communion to Blasphemous Passion ; Parodia Sacra and the Principle of the Two-Edged Sword ; Obscene Communion: Le lai d'Ignaure ; Mocking Mass Murder: The Passion of the Jews of Prague.

A Lawsuit in Heaven: The Dispute between God and His Mother Chapter 5 Convergence: Ren�e of Anjou and the Heart's Two Quests ; Mortifying Vain Pleasure: The King as Vernacular Theologian ; The Grail, the Rose, and the Love-Smitten Heart ; Converging Quests.

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