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Marian devotion in thirteenth-century French lyric / Daniel E. O'Sullivan.

By: Material type: TextTextPublisher number: 418745 | CaOOCELLanguage: English Original language: French, Old (ca. 842-1300) Series: desLibris. Books collection.Publication details: Toronto ; Buffalo : University of Toronto Press, �2005.Description: 1 online resource (x, 263 pages) : musicContent type:
  • text
Media type:
  • computer
Carrier type:
  • online resource
ISBN:
  • 9781442677043
  • 144267704X
  • 1282028979
  • 9781282028975
Subject(s): Genre/Form: Additional physical formats: Print version:: Marian devotion in thirteenth-century French lyric.DDC classification:
  • 841/.109382 22
LOC classification:
  • PQ155.M3 O88 2005
Other classification:
  • 18.25
Online resources:
Contents:
""CONTENTS""; ""ACKNOWLEDGMENTS""; ""Introduction: Secular and Religious in Medieval Culture""; ""Chapter 1: Gautier de Coinci�a�?s Marian Poetics of Familiar Strangeness""; ""The Human and Divine in Harmony""; ""�a�?Amours, qui bien set enchanter�a�? (I Ch 3/RS 851)""; ""�a�?Ro�A�ne celestre�a�? (I Ch 5/RS 956, 1903)""; ""�a�?D�a�?une amour quoie et serie�a�? (II Ch 5/RS 1212)""; ""Chapter 2: Thibaut de Champagne, Genre, and the Medieval Taste for Hybrids""; ""Thibaut in the Line of Gautier""; ""Thibaut�a�?s Hybridized Marian Songs""; ""�a�?Commencerai a fere un lai�a�?: Genre and Aesthetic Play""
""Chapter 3: Voicing Marian Devotion in Women�a�?s Devotional Song""""Songs in the Voice of Everywoman""; ""Religious Women Voicing Marian Devotion""; ""Mary�a�?s Voice: �a�?Lasse, que devendrai gi�A��a�?""; ""Chapter 4: Jacques de Cambrai, Distinctive Traditionalism, and Kaleidoscopic Contrafacta""; ""Choices of Motif, Theme, and Model: The Case for Distinctive Traditionalism""; ""Towards a Generative Model of Kaleidoscopic Contrafacture""; ""Traditionalism, Innovation, and �a�?Retrowange novelle�a�?""; ""The Future of Old French Marian Song""
""Chapter 5: Rutebeuf: Beyond the World of Marian Song""""Rutebeuf�a�?s Polemical Marian Poetry""; ""Marian Devotion Dramatized""; ""When Mary Intercedes: �a�?Un dist de Nostre Dame�a�?""; ""Conclusion: Contrafacture and Cultural Exchange""; ""APPENDIX OF TEXTUAL AND MUSICAL EDITIONS OF SONGS AND POEMS""; ""NOTES""; ""BIBLIOGRAPHY""; ""INDEX""; ""A""; ""B""; ""C""; ""D""; ""E""; ""F""; ""G""; ""H""; ""I""; ""J""; ""K""; ""L""; ""M""; ""N""; ""O""; ""P""; ""R""; ""S""; ""T""; ""U""; ""V""; ""W""; ""Y""; ""Z""
Review: "As hybrid texts, Old French Marian songs combine motifs from several genres and registers to articulate a devotional message. In this study, Daniel E. O'Sullivan examines the movement between secular and religious traditions in medieval culture embodied by Old French religious song. He demonstrates that Marian lyric was far more than a simple, mindless imitation of secular love song."--Jacket.
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Includes bibliographical references and index.

Appendix: Text in Old French and English in parallel columns.

""CONTENTS""; ""ACKNOWLEDGMENTS""; ""Introduction: Secular and Religious in Medieval Culture""; ""Chapter 1: Gautier de Coinci�a�?s Marian Poetics of Familiar Strangeness""; ""The Human and Divine in Harmony""; ""�a�?Amours, qui bien set enchanter�a�? (I Ch 3/RS 851)""; ""�a�?Ro�A�ne celestre�a�? (I Ch 5/RS 956, 1903)""; ""�a�?D�a�?une amour quoie et serie�a�? (II Ch 5/RS 1212)""; ""Chapter 2: Thibaut de Champagne, Genre, and the Medieval Taste for Hybrids""; ""Thibaut in the Line of Gautier""; ""Thibaut�a�?s Hybridized Marian Songs""; ""�a�?Commencerai a fere un lai�a�?: Genre and Aesthetic Play""

""Chapter 3: Voicing Marian Devotion in Women�a�?s Devotional Song""""Songs in the Voice of Everywoman""; ""Religious Women Voicing Marian Devotion""; ""Mary�a�?s Voice: �a�?Lasse, que devendrai gi�A��a�?""; ""Chapter 4: Jacques de Cambrai, Distinctive Traditionalism, and Kaleidoscopic Contrafacta""; ""Choices of Motif, Theme, and Model: The Case for Distinctive Traditionalism""; ""Towards a Generative Model of Kaleidoscopic Contrafacture""; ""Traditionalism, Innovation, and �a�?Retrowange novelle�a�?""; ""The Future of Old French Marian Song""

""Chapter 5: Rutebeuf: Beyond the World of Marian Song""""Rutebeuf�a�?s Polemical Marian Poetry""; ""Marian Devotion Dramatized""; ""When Mary Intercedes: �a�?Un dist de Nostre Dame�a�?""; ""Conclusion: Contrafacture and Cultural Exchange""; ""APPENDIX OF TEXTUAL AND MUSICAL EDITIONS OF SONGS AND POEMS""; ""NOTES""; ""BIBLIOGRAPHY""; ""INDEX""; ""A""; ""B""; ""C""; ""D""; ""E""; ""F""; ""G""; ""H""; ""I""; ""J""; ""K""; ""L""; ""M""; ""N""; ""O""; ""P""; ""R""; ""S""; ""T""; ""U""; ""V""; ""W""; ""Y""; ""Z""

"As hybrid texts, Old French Marian songs combine motifs from several genres and registers to articulate a devotional message. In this study, Daniel E. O'Sullivan examines the movement between secular and religious traditions in medieval culture embodied by Old French religious song. He demonstrates that Marian lyric was far more than a simple, mindless imitation of secular love song."--Jacket.

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